Showing posts with label hawaiian music. Show all posts
Showing posts with label hawaiian music. Show all posts

Friday, June 24, 2011

Bad moon rising: Hawi and Kapa'au weather bulletin

We wanted to hear our friend John Keawe play slack key guitar, so arranged our day around a dinner date at the Bamboo Restuarant in Hawi where John plays every Saturday night, give or take some times when he is away touring.

Hawi is some drive away from where we were bivouacked in Keauhou on the Kona coast. We arrived a little early, so filled the time by paying respects at the cigar store and the King Kamehameha statue in Kapa'au, a few miles up the road.

Story goes a relative of the Hawaiian alongside had been the model for this royal statue, which is identical to the famous statue standing in front of the judicial building in Honolulu on the island of O'ahu. The Kapa'au statue is in fact the original.
Commissioned by the Hawaiian legislature to commemorate the coronation of King Kalakaua in 1883, it was designed by an American living in Florence, and cast in Paris. En route to Hawaii, the statue was lost at sea when the ship carrying it was wrecked in stormy seas. Insurance money paid for a replacement casting.

Some time later the captain of the wrecked ship spotted the original statue in a junkyard in Port Stanley, on the Falkland Islands, where it had been salvaged. This enterprising captain bought the statue and had it shipped to Hawaii to stand in Kapa'au.

There was a bit of damp drizzling precipitation and the light was low and flat the evening of our visit. The photographs are not the best, but I do like to visit this statue and absorb the lessons of survival and determination it offers.

We can think we have a firm control of the plan and organization of the pieces of our lives, but destiny has the over-riding hand. The connection with the Hawaiian alongside's bloodline is just a little bonus.At the cigar store I realized that my old friend OC from the place of clear salt water could well have been the model for this particular cigar store injun scanning the horizon, warning of a bad moon on the rise. Always the 10 foot warrior who has my back. Thank you for standing guard the way you do, though whoever thought to give you blue eyes should take another look at the original.
Fidel, well, he wasn't abandoning fields and castles on the other side of the door, but he was just being Fidel: giving a form of maimed single finger salute. Another warning right there, of things to come.

A weather bulletin from my old friends at the cigar store. When one is on a paddle journey, it behooves one to pay attention to the signs of bad weather up ahead.

I do not have the story to tell about the inscrutable little dark personage. Some things remain mystery yet, but happily the dark eyes are true this time around.The other thing Kapa'au is famous for in my world, is that, in October 2010, the entire community turned out to help move the library a mile and a half down the road, passing each pile of books from hand to hand down the road, emptying one building, filling another.

This evening both old and new buildings were closed, of course, but I did like to walk feet a little on the road where this wondrous human book chain had happened. There's a news story and video about it here.

Back to the mundane. The meal at the Bamboo Restaurant was a huge disappointment. The menu is not very vegetarian friendly to start off, and they even prepare their tofu with fish sauce. For the prices I would have expected to feel the artistry of a chef's hand and at least some consideration of enlightened ways of being and feeding.

Instead I was presented with noodles from a box, vegetables from a frozen bag and unadorned tofu straight from the package dumped amongst it in the most bland, soulless meal. The message I got was that I did not matter at all, was not worth any effort.

Luckily John Keawe has a lot of authenticity and integrity to make up for the emptiness from the kitchen.

I would not recommend the Bamboo Restaurant for food and will not be eating there again, though the ambiance in the historic old restored plantation building has a touch of magic, and John's music is worth hearing. My instincts a few years ago, first time around in Hawe were confirmed: an over-priced and ultimately disappointing evening as far as the food side was concerned.
We drove the long dark road back to Keauhou from North Kohala, myself behind the wheel, with John's latest cd playing on the hired horsepower's sound system.

I definitely prefer Keawe instrumental pieces, and once drove 8000 miles around western United States with only a single John Keawe cd, Keaweualani, in my vehicle without tiring of the sounds. I can, however, live without the pieces with lyrics, especially the latest sweet, sentimental ones where his granddaughters join him. No offense meant, but no cigar. I never have liked children or animals in books or movies. Now I discover that I don't go along with them in music neither.

Tuesday, September 21, 2010

Harvest moon/ rise up and follow me, sons of Hawaii

Come a little bit closer
Hear what I have to say
Just like children sleepin'
We could dream this night away.

But there's a full moon risin'
Let's go dancin' in the light
We know where the music's playin'
Let's go out and feel the night.

Because I'm still in love with you
I want to see you dance again
Because I'm still in love with you
On this harvest moon.

When we were strangers
I watched you from afar
When we were lovers
I loved you with all my heart.

But now it's gettin' late
And the moon is climbin' high
I want to celebrate
See it shinin' in your eye.

Because I'm still in love with you
I want to see you dance again
Because I'm still in love with you
On this harvest moon.


Friday, October 9, 2009

Contemplating peace prizes on this noble day



Rise up and follow me/Sons of Hawaii/rise up and follow me
Don't let me down


Don't let me down

Thanks eh Bruddah Herb and takuwan. Spaak you.

Monday, September 14, 2009

Living aloha

Spent the day yesterday at the Live Aloha Hawaiian cultural festival at the Seattle Centre where I heard a lot of ukulele and slack key music, saw a lot of hula dancing and much bold floral patterned gear on men and women alike. Weather imported from Hawaii for the occasion couldn't have been better.

One of my fav Tshirt slogans of the day: "I am not fat. I am Hawaiian." No. I restrained myself from buying one of those.
Perhaps the best part of the day was the kapa cloth printing workshop in which I learned a little bit of the history and cultural significance of the cloth, cut a bamboo stamp (without cutting myself and having to go to First Aid station etc) and got to print a small piece of paper. Unfortunately we didn't have time or the materials to pound out some genuine kapa cloth to print on.

During the course of the festival I somehow also signed up for some online course in Hawaiian language and another on Malama 'Aina which seems to be about traditional Hawaiian ways of caring for the land. This course intrigued me with it's introduction: "The land is a chief: the man is its servant. He ali'i ka 'aina, he kauwa ke kanaka. Kamehameha Schools Distance Learning branch offer these online courses.

Seemed to me this was really good value for the festival discount of $10 (normally $25). The Tshirt and mesh backpack they gave to me for signing up were surely worth more than that AND I get to learn something and Fav Tribal Elder gets a new Tshirt and backpack from me.

I also managed to miss a Hawaiian quilting workshop because I couldn't find the venue and was distracted by the music.

The facilitators for the workshops flew out from Hawaii especially for the Live Aloha festival. They were knowledgeable, authentic and superb advocates for their people and traditional ways. In some ways I am still processing the day. So much aloha spirit.

The whole event, being native, began, at a reasonable hour and reasonably on time 11:30ish with prayers and the local Hawaiian community asking permission, in song, chant and hula, from the Duwamish people, to hold the festival. There was some handing over of gifts and punding of a drum - which activities have become part of my daily life since the Suquamish hosting of the annual Tribal Canoe Journey. The Live Aloha! festival ended not too late last night with everyone in the Centre Hall holding hands for the singing of the Hawaiian anthem.

Then of course we still had the bus, ferry, car ride home. Fav Tribal Elder was pretty exhausted. I had to remind him to take the right turn at the casino to drop me off at Haleikeokekai. I think his automatic pilot had kicked in about the time he fell asleep on the ferry. He was heading straight for that off-rez life of his in Little Norway.

Monday, May 25, 2009

Da Oddah Guyz: got poi anyone?

Northwest Folklife is the largest free community arts festival in the United States. Happens every Memorial day weekend at the Seattle Centre. It is something like the 10 day Grahamstown Arts Festival but compressed into 3 days and in one 74 acre arts and entertainment campus (and site for the 1962 World's Fair): a huge, sprawling, chaotic spread of noise, food, crowds and confusion.

Free doesn't get any better folks! There is, however, lots to spend your money on.

Food and market stalls are set up. Stages grow on lawns, in tents and auditoriums around the complex. Crowds gather and behave or misbehave according to their bent. Buskers and beyond the fringe performers stake out whatever real estate they can find to put their tin, hat or instrument case. It is dancing to a myriad syncopations simultaneously. Crazymaking of a high order abounds.

The standard of art crafts is superb. Over the years I have developed favourites and now have festival friends whom I see every year. Generally it is performers from Africa (marimbas ah! that sound is celestial watermusic in my soul!) and India who draw my attention. This year traditional Japanese taiko drumming began the weekend for me. And the intensity grew from there. Light and dark, noise and pools of calm with an inexplicable undercurrent of sorrow and sense of impending loss.

A local group draw my camera. For their honesty, humility and simplicity amidst the frenzy. They self identify as a group of old guys who like to get together and play Hawaiian music. Integrity incarnate in an overpostured world. Da Oddah Guyz, from Aunty's backyard circa 1948. Got poi, anyone?